A New Role for a Global Cinematic Visionary
Chinese superstar Yao Chen made a notable return to the Pingyao International Film Festival this year, but not in her usual capacity as an actress. Instead, she took on a new and significant role: serving as a juror for the Roberto Rossellini Awards competition, which showcases international films. This shift in perspective allowed her to gain deeper insights into the evolving landscape of global cinema.
Yao reflected on the current challenges facing the film industry, stating, "I believe not only the Chinese market is facing challenges globally. I think it is a collective predicament." She emphasized that the struggles within the cinematic world are not isolated but rather a shared experience among filmmakers worldwide. "If the fortress of cinema cannot withstand the shock, no one in that castle can protect itself," she remarked, highlighting the interconnectedness of the global film community.
As a member of the jury, Yao was particularly impressed by the work of young filmmakers who were experimenting with new cinematic languages. One such example was Akinola Davies' Nigerian film "My Father's Shadow," which received recognition at the festival and was also honored with a special mention at Cannes. The film's use of traditional Kodak stock and its exploration of dreamlike imagery left a strong impression on her. "The interesting dichotomy is that it was exploring a novel cinematic language," Yao noted, underscoring the importance of innovation in storytelling.
Beyond her acting career, Yao has established herself as a producer with a strong social conscience. Known for her powerful performances and activism, she has successfully transitioned from television to film, starring in critically acclaimed projects like "Caught in the Web" and "Lost, Found." Her production company, Bad Rabbit Pictures, founded alongside cinematographer Cao Yu and producer Liu Hui, focuses on stories that highlight women's perspectives and underrepresented narratives.
Yao explained her creative philosophy, saying, "In terms of their spiritual kernel or the core of the movie, they are always in coverage of humanity, among god on earth, human, the deities and the nature and involve elements of music and dancing." This approach reflects her deep commitment to exploring the essence of life through her work.
Her recent productions include Huo Meng's "Living the Land," which won best director at the Berlinale, and Rima Das' Busan winner "Village Rockstars 2." These films are currently waiting for the right moment to reach Chinese audiences. "Given the difficult market we are facing, we are looking for better timing to bring such good arthouse films to the general public and the audience," she said. "In recent years, the environment or the living space for arthouse films have been narrower and narrower."
Despite these challenges, Yao remains optimistic about the future of cinema. She stressed her desire to continue working both in front of and behind the camera. "Over the years, I have produced many films where I cannot act, but that is also one of my ways of expression," she said. "For the next project I would look for a project where I can both produce and also help to create, so that I can be in better control of the quality of creation."
With a sense of humor, she added, "I hope I get to hang around in front of the lenses of the camera until I get totally aged." Her passion for filmmaking continues to drive her forward, ensuring that her voice remains a vital part of the cinematic conversation.
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