
A Quiet Rebellion in a Galaxy Far, Far Away
Star Wars Visions Volume 3 Episode 7, titled “The Smuggler,” offers a different kind of story compared to the high-energy action seen in earlier episodes. Instead of the explosive chaos that defined previous installments, this short takes a more subdued and thoughtful approach. At its core, it’s a tale about survival, loyalty, and the choices that shape history. What starts as a simple transport job quickly turns into an act of quiet resistance, driven not by prophecy but by necessity.
The story follows Chita, a smuggler who just wants to keep her ship flying and stay ahead of Imperial patrols. When she takes a job to move what she believes is cargo, she ends up protecting Arluu, a young prince whose royal family was destroyed under Imperial rule, and Gleenu, his hidden protector. Gleenu’s calm demeanor hides a powerful secret, and together, they form a small but significant pocket of rebellion against the Empire’s oppressive control.
The Heart of the Story
Gleenu’s character is central to the emotional depth of “The Smuggler.” Her Jedi nature isn’t explicitly stated but is shown through her actions when necessary. She doesn’t fight for ideology or the fallen Order; instead, she fights for the family that gave her purpose. This restraint highlights a nobility that defines some of the best Jedi in Star Wars—compassion before violence, conviction before victory.
The episode demonstrates the importance of showing rather than telling. Its pacing mirrors its characters: measured, cautious, and deliberate. One standout sequence involves a speeder chase through a city under the shadow of an Imperial walker. While it’s not about spectacle, it emphasizes persistence and resilience. TRIGGER proves that its signature flair doesn’t need to be loud to resonate, especially when taking a more grounded approach.
Visuals and World-Building
Visually, “The Smuggler” is the most grounded story TRIGGER has ever told in Visions. Compared to the surreal excess of previous episodes, this one is restrained and focused on creating a tangible world. The city feels like a real Star Wars settlement caught under Imperial control. The citizens look and act like people we might see in Rebels or Andor—wearily pragmatic and quietly resisting. Even the character designs, particularly the eyes, stand out as distinct yet fully at home in this galaxy.
This visual approach raises an important question: what would an anime Star Wars story look like if it were canon? “The Smuggler” is grounded in a way that makes it the perfect opening for deepening Star Wars lore. It doesn’t answer all the questions it raises, but the world it builds feels rich enough to explore further.
Characters and Dynamics
Chita is a strong character, not because of charisma but because of her resilience. She feels less like Han Solo and more like Kay Vess, which matters. She isn’t guided by bravado or charisma but by instinct—survival impulses born from years of running and scraping by in a galaxy that doesn’t care unless it can use you. Like Kay, she’s not in it for glory or rebellion; she’s just trying to live another day.
Her pragmatism makes her compassion stand out even more. She knows what it means to lose everything to the Empire and decides, despite herself, to do the right thing anyway. That choice, small and human, gives “The Smuggler” its quiet heart.
The Trio That Matters
What really makes “The Smuggler” sing is its trio of characters: Chita, Arluu, and Gleenu. Star Wars thrives in threes, and their dynamic feels both mythic and familiar. They evoke the same chemistry that has anchored the saga since the beginning. The notes of A New Hope are plain, but it works very much in the short’s favor, just from a different point of view.
Ultimately, “The Smuggler” trades spectacle for sincerity, and in doing so, it quietly finds something worth continuing. While it may not be the strongest story in Visions Volume 3, it’s one of the most cohesive and self-assured worlds. It’s proof that TRIGGER can deliver Star Wars that feels canon-adjacent without sacrificing artistry.
The world-building’s restraint is its strength, showing that sometimes the galaxy doesn’t need another legend. It just needs people willing to care.

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